Prinz Colwyn und Prinzessin Lyssa wollen mit ihrem Ja-Wort eine mächtige Allianz gegen das Unbeschreibliche Ungeheuer eingehen. Die verwegenen Krieger der schwarzen Festung beherrschen den Planeten Krull brutal und unbarmherzig. Nur die Hochzeit von Prinzessin Lyssa und Prinz Colwyn kann die Menschheit retten. Aber Lyssa wird entführt und auf der Schwarzen Festung von dem. Jenseits unserer Zeit und unseres Universums befindet sich der Planet Krull, der von Klasse Film in guter Qualität - mit einem jungen Liam Neeson in einer.
Bekenntnisse des Hochstaplers Felix Krull (2021)Box Office. Millionen US-Dollar. Krull ist ein Science-Fiction-Fantasyfilm aus dem Jahr Die Deutschlandpremiere fand am Oktober statt. Die verwegenen Krieger der schwarzen Festung beherrschen den Planeten Krull brutal und unbarmherzig. Nur die Hochzeit von Prinzessin Lyssa und Prinz Colwyn kann die Menschheit retten. Aber Lyssa wird entführt und auf der Schwarzen Festung von dem. Krull ein Film von Peter Yates mit Freddie Jones, Ken Marshall. Inhaltsangabe: Der ferne Planet Krull ächzt unter der Schreckensherrschaft des.
Krull (Film) Imagens para Krull | Krull (1983) Online VideoKrull (4/8) Movie CLIP - Battle in the Swamps (1983) HD Juli in die amerikanischen Kinos. Kategorien : Filmtitel Deutscher Film Thomas-Mann-Verfilmung. Daniel Kehlmann Stephen Hawking Der Film, Detlev Buck. Meine Freunde. Runtime: min. Starlog critic Lawrence Watt-Evans analogized the look, story, and vibe of Krull as a superior version of The Dark Crystal The cyclops Rell later joins the group. However, Marshall insisted on the machine being sped up and in the final take was Jeffrey Epstein Doku Netflix in getting Sportportal from the two set pieces alive. Blast, I must really get organized one of these days. The La-La-Land Records album corrects this mistake. It has been commended as part of the composer's best early efforts before his more Live In Concert post Alphas Stream works. What links here Related changes Upload file Special pages Permanent link Page information Cite this Serienstream Hawaii Five O Wikidata item. Grand Comics Database. The previous release the year before was pulled due to an aspect ratio issue on the Blu-ray. Movie Info On the planet of Krull, an evil creature called the Beast decimates the world's army and kidnaps the lovely Princess Lyssa (Lysette Anthony), who is destined to become queen. Her brave. Krull () cast and crew credits, including actors, actresses, directors, writers and more. Krull is a herioc fantasy sci-fi film, starring Ken Marshall. Krull (film) Krull is a British-American heroic fantasy-science fiction film directed by Peter Yates and starring Ken Marshall and Lysette Anthony. It was produced by Ron Silverman and released by Columbia Pictures. This film article is a stub. The planet Krull has been invaded by a great evil The Beast. Two kingdoms have joined through the planned marriage of Princess Lyssa (Lysette Anthony) and Prince Colwyn (Ken Marshall). At the wedding, the forces of The Beast attack, kidnapping the princess, and massacring everyone else. 30/06/ · Baixar Filme: Krull Torrent Título original: Krull Direção: Peter Yates Gênero: Ação, Aventura, Fantasia, Ficção Científica 45/ Lançamento: Duração: min. Qualidade de Áudio: 10 Qualidade de Vídeo: 10 Prêmios: 1 vitória e 5 indicações. Produção: Barclays Mercantile Industrial Finance, Columbia Pictures Sinopse: O planeta Krull foi 3,4/5. No Flix Filmes (faceyoutub.com) você pode assistir ao filme Krull () Online completo e sem cortes de graça! Veja filmes no seu celular e smart tv agora mesmo! O filme Krull () Online - Krull atualmente possui uma avaliação média de (de 10 possível) no IMDB com votos, o filme foi produzido no país UK. Com duração de minutos, o filme tem 10/10(1). Filmes Online - Assistir Filmes Online - Filmes Online Grátis - Filmes Completos Dublados O Cineon é uma plataforma de site e aplicativo para assistir filmes x series online grátis! O nosso site atualiza todas as séries no dia em legendado e dublado, e como o nosso site é um indexador automático, somos os mais rápidos postadores do Brasil.4,4/5.
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Rate This. A prince and a fellowship of companions set out to rescue his bride from a fortress of alien invaders who have arrived on their home planet.
Director: Peter Yates. Writer: Stanford Sherman. Available on Amazon. Added to Watchlist. From metacritic.
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Grimes and Derek Meddings coming up with and drawing set concepts, and Ken Marshall and Anthony being cast as Colwyn and Lyssa respectively. Yates described making Krull as "complicated" and "just so enormous".
Marshall and Meddings reasoned that the huge budget was due to several changes of concepts in the script that led the designers to have to repeatedly alter the designs of the sets.
Filming began on 25 January The first sequence shot was the scene where Ynyr Freddie Jones climbs a huge spider web in order to confront the Widow of the Web.
Jones did not use any safety wires because the wires would have been visible. Stop-motion animator Steve Archer, who previously worked on Clash of the Titans , spent two weeks creating the first model of the spider in the scene which was later changed.
Yates's direction of the action scenes that take place in the beginning of Krull were inspired by swashbuckler films such as Captain Blood However, he wanted to go through the "complicated" process of figuring out new weapons that gave the scenes a unique swashbuckling feel.
Marshall practiced his moves for the sequences a week before filming of them began. However, by the time shooting of these scenes started, the costumes for the Slayers were recently finished; therefore, much of the fight choreography was altered based on the limitations of the costumes at the last minute.
Pinewood's Stage , one of the largest sound stages in the world, was used for the swamp scene of Krull , wherein the Slayers and several changelings encounter Colwyn and his group.
Rehearsing the scene where Colwyn and his group are being chased by the Slayers in the Black Fortress involved stuntmen taking the part of Colwyn so that Marshall could conserve energy for final filming.
It involved Colwyn and his men encountering a corridor where the floor opened underneath them via two set pieces "the size of a small house" that were powered by liquid and broke apart before quickly slamming back together.
Marshall explained that doing the sequence gave him nightmares after it was completed. When shooting of the scene began, Marshall took more time to say his lines than the production crew expected, leading to him not making it from the tunnel in the first take.
Only one crew member noticed this and was able to stop the machines controlling the pieces, but Marshall explained that he "knew that if the machine didn't stop in five seconds, [he] would be dead".
Another take of the sequence was shot the next day with Yates instructing that the speed of the machine be slower.
However, Marshall insisted on the machine being sped up and in the final take was successful in getting away from the two set pieces alive.
Marshall explained, "I had no feeling in my heel for months afterward. It was really hard doing stunts afterwards, too. Meddings, who was previously known for his work on Superman and Superman II , led the special effects department of Krull.
It was a hard show in terms of effects. Whenever you do an effects picture, you try to come up with something new. Unfortunately, you don't always succeed.
You may think you've done something amazing, but, ultimately, it's up to the audience for that verdict. We really worked ourselves silly on this one, though.
Meddings created miniatures for the setting of the film's titular planet. The model Meddings constructed for Lyssa's castle was twenty feet high.
Shots of it were done in Italy using forced perspective to make it look taller than it really was. The design of the Black Fortress had a height of twelve feet, and an electrical system was used to create the light within it.
Because the Black Fortress disintegrates at the end of the film, it was constructed "like a jigsaw puzzle with parts able to be pulled apart on cue.
In Krull , Ergo uses his magic to transform into creatures such as puppies and geese. Meddings used an effects strategy that showed these transformations differently from traditional cross dissolve methods, reasoning that it had "been done to death".
We did it with a series of blow-ups embellished with artwork so that you could actually blend in the actor. The actor [David Battley] dropped down to his knees and we used a series of blow-ups to reduce him to puppy size.
Then, halfway through the transition, we introduced blowups of the puppy, blending the two sets together with artwork.
Then, as the last still went on screen, we substituted the real dog who just wagged his tail and walked away. It was a trick, but it looks quite magical.
The film score was composed by James Horner and performed by The London Symphony Orchestra and the Ambrosian Singers.
It has been commended as part of the composer's best early efforts before his more famous post era works. Additionally, to accompany the main antagonists, the Beast and its army of Slayers, Horner utilised Holst-like rhythms and groaning and moaning vocals from the choir.
Also of note is a recurring "siren call" performed by female voices that starts and bookends the score, and appears numerous times in the story to represent the legacy of the ancient world of Krull.
Horner's score is reminiscent of earlier works, particularly Star Trek II: The Wrath of Khan. Some pieces of the music were reused for the ambiance of the Disneyland Paris attraction Space Mountain: Mission 2 named Space Mountain : From the Earth to the Moon from to The score has been released numerous times on album by various labels.
The first was a minute condensed edition, which was released by Southern Cross Records in , featuring most of the major action cues, three renditions of the love theme, and the music from the end credits; however, music from the main title sequence was omitted.
Southern Cross Records later released special editions in and the latter a Gold disc with a running time of over 78 minutes, expanding on all of the previously released tracks, featuring the main title music and other action cues.
In , SuperTracks released the complete recorded score in a two-CD set with elaborate and attractive packaging and extensive liner notes by David Hirsch;  this release, and the and releases, have become rare and very expensive collectible items.
In , La-La Land Records re-issued the SuperTracks album, with two bonus cues and new liner notes by Jeff Bond in a limited edition of 3, copies, which sold out within less than a year.
La-La Land reissued an additional 2, copies of the album in The soundtrack is considered a high point of the film. The Super Tracks 2 CD complete score album and the La-La-Land Records album have similar track listings.
The main difference is the track ordering. In the Super Tracks album, the track "Colwyn and Lyssa Love Theme" bookends disc two, however, on the La-La-Land Records album, it is presented as the first of the three bonus tracks.
Also, the Super Tracks album presents the tracks slightly out of film order towards the beginning of disc two. The track "Vella" is presented after the two tracks "The Widow's Web" and "The Widow's Lullaby" whilst in the film it occurs before both of the tracks.
The La-La-Land Records album corrects this mistake. Furthermore, the La-La-Land Records album includes two bonus tracks, "The Walk to the Seer's Cave Album Edit " and "Theme from Krull.
Christopher John reviewed Krull in Ares Magazine 16 and commented that "It is a hot, hollow wind which only reminds us of what a pleasant breeze feels like, and angers us because it isn't one.
Colin Greenland reviewed Krull for Imagine magazine, and stated that "If as much attention had been paid to the plot as to the visuals, instead of all this ' It is the time.
Critic Janet Maslin found Krull to be "a gentle, pensive sci-fi adventure film that winds up a little too moody and melancholy for the Star Wars set", praising director Yates for "giving the film poise and sophistication, as well as a distinctly British air", and also "bring[ing] understatement and dimension to the material".
In a retrospective article, PopMatters critic Bill Gibron, opined that though finding many problems with Krull , it had an "amusement amalgamation" rare for a film released in the early s, where "if you don't like one particular character or circumstance, just wait — something completely different is just around the corner".
No matter what point you come in on the story, no matter what sort of scene is playing out before you, the lack of continuity and context actually allows you to take pleasure in the individual moment, and if so inclined, to stick around for another exciting sample in just a few minutes.
Snider summarized, "against all odds, Krull crams itself with magic, fantasy, and heroic quests, yet still manages to be boring. This is an impressive feat in and of itself.
You'd almost have to be doing it on purpose. A common critical praise of Krull was the visuals and special effects,    : 76 Lambie describing them as "quite captivating".
He explained that an actual glaive was a "sort of pole-arm, a long stick with a long blade on the end" and not a "brass starfish".
He stated that while "glaive" was a vague term and there wasn't an actual word that defined the weapon, "the writer should have made [another name] up rather than borrowing one which doesn't fit.
The effects have also garnered detractors. The House Next Door critic Steven Boone stated that Krull "stands out because it has some of the clunkiness and uncertain production design of a cheapie like Beastmaster , but its visuals fairly pulse like something from the Spielberg—Lucas realm".
A frequent criticism in multiple reviews of Krull is its writing. Lambie believed that Krull is "perhaps a little too derivative to earn a place in the major league of 80s fantasy movies".
We're constantly told that there's only ONE WAY! And if that way fails, too, you can bet there will be YET ANOTHER WAY! To use a screenwriting metaphor, this is like painting yourself into a corner and then avoiding stepping on the fresh paint by suddenly developing the ability to levitate.
Many aspects of the plot such as magical abilities, wizards, lands, and members of Krull's population are only mentioned by the characters but never elaborated, which was both praised and criticized in Watt-Evans's review of the film.
He liked that it made the viewer have to solve mysteries on his own and gave the film "believability". How did it look to the people around the girl?
Did she vanish, as the image did, or was there a body? Seer Graham McGrath Titch Tony Church Turold Bernard Archard Eirig Belinda Mayne Vella Dicken Ashworth Bardolph Todd Carty Oswyn Robbie Coltrane Rhun Clare McIntyre Merith Bronco McLoughlin Nennog Andy Bradford Darro Gerard Naprous Quain Bill Weston Menno Rest of cast listed alphabetically: Lindsay Crouse Princess Lyssa voice uncredited Michael Elphick